Finn Nygaard Design | Postershop
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Jazzhus Montmartre · Lou Donaldson

Price range: kr.450,00 through kr.1.175,00

·.
Plakatformater/Poster sizes: 150 x 100 cm · 100 x 70 cm · 70 x 50 cm · 59,4 x 42 cm

 

Fri fragt i Danmark – til pakkeshop / Free delivery in Denmark – dropshipping

 

Plakat · priser i DKK
150 x 100 cm: 1.150 kr.
100 x 70 cm: 650 kr.
70 x 50 cm: 450 kr.

 

Special edition, Fine Art Hahnemühle,
59,4 x 42 cm: 1.175 kr.
Signed and numbered by Finn Nygaard.
Limited edition print: 1-30.
 

 

 

Forespørgsel vedr. indramning mm.:
Mbl.
+45 21 630 630 / info@FinnNygaard.com


For sale outside DK: Inquiry via info@FinnNygaard.com

 

Betaling via e-Pay med Dankort/VISA.
Eller via bankoverførsel eller MobilePay 21 630 630

 

 

 

Clear

Jazzhus Montmartre is the historic jazz hotspot of Copenhagen, presenting world class live jazz at the original intimate venue where the famous club started back in 1959.

 

Lou Donaldson was born in Badin, North Carolina, United States. He attended North Carolina Agricultural and Technical State University in Greensboro in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene.

At the war’s conclusion, he returned to Greensboro, where he worked club dates with the Rhythm Vets, a combo composed of A and T students who had served in the U.S. Navy. The band recorded the soundtrack to a musical comedy featurette, Pitch a Boogie Woogie, in Greenville, North Carolina, in the summer of 1947. The movie had a limited run at black audience theatres in 1948 but its production company, Lord-Warner Pictures, folded and never made another film. Pitch a Boogie Woogie was restored by the American Film Institute in 1985 and re-premiered on the campus of East Carolina University in Greenville the following year. Donaldson and the surviving members of the Vets performed a reunion concert after the film’s showing. In the documentary made on Pitch by UNC-TV, Boogie in Black and White, Donaldson and his musical cohorts recall the film’s making—he originally believed that he had played clarinet on the soundtrack. A short piece of concert footage from a gig in Fayetteville, North Carolina, is included in the documentary.

Donaldson’s first jazz recordings were with the Charlie Singleton Orchestra in 1950 and then with bop emissaries Milt Jackson and Thelonious Monk in 1952, and he participated in several small groups with other prominent jazz musicians such as trumpeter Blue Mitchell, pianist Horace Silver, and drummer Art Blakey. Wikipedia.

Format

70 x 50 cm, 100 x 70 cm, 150 x 100 cm, 59,4 x 42 cm