Finn Nygaard Design | Postershop
26752
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Jazzhus Montmartre · Lou Donaldson

DKK575,00DKK1.175,00

Sizes: 150 x 100 cm · 100 x 70 cm · 59,4 x 42 cm
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150 x 100 cm · 100 x 70 cm –
POD · Print on demand
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59,4 x 42 cm –
Print on Fine Art Hahnemühle Bamboo 290 gsm, natural warm tone – using archival inks. Trimmed, 2 cm border for framing. Signed and sealed by the author. Limited print: 1-30.

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Priser i DKK
150 x 100 cm: 975 kr. + forsendelse
100 x 70 cm: 575 kr. + forsendelse
59,4 x 42 cm: 1175 kr. + forsendelse
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Prices in Euro
150 x 100 cm: 131 Euro + shipping

100 x 70 cm: 77 Euro + shipping
59,4 x 42 cm: 158 Euro + shipping
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For sale outside DK: Inquiry via posters(at)finnnygaard.com

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Jazzhus Montmartre is the historic jazz hotspot of Copenhagen, presenting world class live jazz at the original intimate venue where the famous club started back in 1959.


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Lou Donaldson was born in Badin, North Carolina, United States. He attended North Carolina Agricultural and Technical State University in Greensboro in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene.

At the war’s conclusion, he returned to Greensboro, where he worked club dates with the Rhythm Vets, a combo composed of A and T students who had served in the U.S. Navy. The band recorded the soundtrack to a musical comedy featurette, Pitch a Boogie Woogie, in Greenville, North Carolina, in the summer of 1947. The movie had a limited run at black audience theatres in 1948 but its production company, Lord-Warner Pictures, folded and never made another film. Pitch a Boogie Woogie was restored by the American Film Institute in 1985 and re-premiered on the campus of East Carolina University in Greenville the following year. Donaldson and the surviving members of the Vets performed a reunion concert after the film’s showing. In the documentary made on Pitch by UNC-TV, Boogie in Black and White, Donaldson and his musical cohorts recall the film’s making—he originally believed that he had played clarinet on the soundtrack. A short piece of concert footage from a gig in Fayetteville, North Carolina, is included in the documentary.

Donaldson’s first jazz recordings were with the Charlie Singleton Orchestra in 1950 and then with bop emissaries Milt Jackson and Thelonious Monk in 1952, and he participated in several small groups with other prominent jazz musicians such as trumpeter Blue Mitchell, pianist Horace Silver, and drummer Art Blakey. From Wikipedia.

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The poster is available as POD in the sizes 150 x 100 cm, 100 x 70 cm and 59,4 x 42 cm. The 59,4 x 42 issue/size is printed on Fine Art Hahnemühle Bamboo 290 gsm, natural warm tone – using archival inks. Trimmed, 2 cm border for framing. Signed and sealed by the author. Limited print: 1-30.

Format

100 x 70 cm, 150 x 100 cm, 59,4 x 42 cm