Finn Nygaard Design | Postershop
31480
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Jazzhus Montmartre · Albert Ayler

kr.400,00kr.2.250,00

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Plakatformater/Poster sizes: 150 x 100 cm · 100 x 70 cm · 70 x 50 · *59,4 x 42 cm

 

Fri fragt i Danmark – til pakkeshop / Free delivery in Denmark – dropshipping

 

Plakat · priser i DKK
150 x 100 cm: 975 kr.
100 x 70 cm: 575 kr. (plakat i ramme kr. 1.150)
70 x 50 cm: 400 kr. (plakat i ramme kr. 775)
59,4 x 42 cm: 1.175 kr. (plakat i ramme kr. 2.250)
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For sale outside DK: Inquiry via posters(at)FinnNygaard.com

Poster · prices in Euro
150 x 100 cm: 131 Euro + shipping (no frame)

100 x 70 cm: 77 Euro + shipping (no frame)
70 x 50 cm: 54 Euro + shipping (no frame)
59,4 x 42 cm: 158 Euro + shipping (no frame)

 

*59,4 x 42 cm –
Print on Fine Art Hahnemühle Bamboo 290 gsm, archival inks. Trimmed, 2 cm border for framing. Signed and sealed by the author. Limited print: 1-30.

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Clear

Jazzhus Montmartre is the historic jazz hotspot of Copenhagen, presenting world class live jazz at the original intimate venue where the famous club started back in 1959.

 

Albert Ayler (1936-1970) was an American avant-garde jazz saxophonist, singer and composer.

After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler’s style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler’s style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as Spiritual Unity and The Hilversum Session, show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music’s backbone. His ecstatic music of 1965 and 1966, such as “Spirits Rejoice” and “Truth Is Marching In”, has been compared by critics to the sound of a brass band, and involved simple, march-like themes which alternated with wild group improvisations and were regarded as retrieving jazz’s pre-Louis Armstrong roots. Wikipedia.

Format

70 x 50 cm, 100 x 70 cm, 150 x 100 cm, 59,4 x 42 cm

Ramme

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