Finn Nygaard Design | Postershop
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Jazzhus Montmartre – Bill Evans · Tribute

kr.450,00kr.2.250,00

·
Plakatformater/Poster sizes: 150 x 100 cm · 100 x 70 cm · 70 x 50 · *59,4 x 42 cm

 

Fri fragt i Danmark – til pakkeshop / Free delivery in Denmark – dropshipping

 

Plakat · priser i DKK
150 x 100 cm: 1.150 kr.
100 x 70 cm: 650 kr.
70 x 50 cm: 450 kr. – Indrammet 850 kr. (eg)
*59,4 x 42 cm: 1.175 kr. – Indrammet 2.250 kr. (eg)

 

Forespørgsel vedr. indramning af plakatformaterne 150 x 100 og 100 x 70:
Mbl. +45 21 630 630 / posters(at)FinnNygaard.com


Salg uden for DK: Forespørgsel til posters(at)FinnNygaard.com
For sale outside DK: Inquiry via posters(at)FinnNygaard.com

 

*59,4 x 42 cm – Print på Fine Art Hahnemühle Bamboo 290 g/m². 2 cm hvid kant. Signeret og nummereret af Finn Nygaard. Begrænset oplag: 1-30.
Print on Fine Art Hahnemühle Bamboo 290 gsm. 2 cm border. Signed and numbered by Finn Nygaard. Limited edition print: 1-30.

 

 

 

 

 

 

Clear

Jazzhus Montmartre is the historic jazz hotspot of Copenhagen, presenting world class live jazz at the original intimate venue where the famous club started back in 1959.

 

William JohnBillEvans (1929 – 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans’ use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, “singing” melodic lines continue to influence jazz pianists today.

Born in Plainfield, New Jersey in 1929, he was classically trained, and studied at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis’s sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.

In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.

In 1963, Evans recorded Conversations with Myself, an innovative solo album using the unconventional (in jazz solo recordings) technique of overdubbing over himself. In 1966, he met bassist Eddie Gómez, with whom he would work for eleven years. Several successful albums followed, such as Bill Evans at the Montreux Jazz Festival, Alone and The Bill Evans Album, among others.

Many of his compositions, such as “Waltz for Debby”, have become standards and have been played and recorded by many artists. Evans was honored with 31 Grammy nominations and seven awards, and was inducted into the Down Beat Jazz Hall of Fame. Wikipedia. 

Format

70 x 50 cm, 100 x 70 cm, 150 x 100 cm, 59,4 x 42 cm

Ramme

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